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The 21st century has brought with it a marked shift in our perception of art and communication: we are more multifaceted in our approaches, more diverse in our observations. This interdisciplinary field of study is known as Visual Culture. Scholars of visual culture find themselves in a near-constant state of analysis: politics, power, technology, science, ideology, religion, feminism, gender. The rest.
Not only that, but these themes are explored through every form of artistic expression, from classic oil canvasses to film, TV, comics and even fashion or sports. The separate worlds of fine art and pop culture are fusing together, and also the classic artistic methods and ultra-modern ones.
When you consider the breadth of motivations and inspirations for 21st-century art, we realise there’s no blanket term yet which can encapsulate it in entirety. Perhaps the beauty of our current art “movement”?
Relational Aesthetics and Participatory Art
Historically, art has been a passive event: you observe, analyze and enjoy a piece of work, but you don’t interact with it. The last decades heralded a new wave of so-called participatory art, which is certainly unique to modern times.
According to Khan Academy, participatory art is that in which the social interactions prompted by the work become its content. The idea is that those experiencing art are physically engaged in it, too.
The tendency to create art that depends on human interaction and social context is also known as relational aesthetics. Participatory art is by no means every artist’s cup of tea, but it’s probably the most unique form of modern expression which doesn’t require modern technology. It’s an exciting and novel artistic direction.
Computer Art
Many artistic purists look upon graphic designers with an amount of disdain, but visual art no longer belongs solely to inks and paints. Realistically, computer-generated art is one of the defining styles of the 21st century so far. Whether it’s commercial design, TV, video games, or commissioned work for an art gallery, these artists are pushing the boundaries of their resources, just as millennia of traditional artists have before them.
Perhaps this insurgence of digital expression is a sign that art transcends technological change — we learn, we adapt, we keep creating. If so, then the entire art community can take heart from the knowledge that even though tumultuous cultural change, art finds a way.
Neo-Dadaism and Absurdist Art
Today we are witnessing an overwhelming resurgence of Dadaism, an art movement of the European avant-garde in the early 20th century. Almost exactly one century since its inception, the so-called neo-dadaism is taking on new forms, and the proliferation of this “defiantly anti-art” movement is more popular than ever.
But it’s not just in print anymore.
The evolution of visual culture and animated art has brought with it a tidal wave of satirical, absurdist art in the form of online comics and videos, driven by a core of millennials who are desperate to shatter the status quo and be heard.
Dada art was born from societies need to vent its frustration at the world, propounded by the horrific and unnecessary evils of the Great War. Millennial artists today are fighting that same fight; a terrific battle against the disillusionment at the heart of society, and it’s a beautiful thing.
Final Word
This is little more than a glimpse into the 21st-century art world — there are probably more trends and fashions than could fill an entire series of articles! Our history has been defined by successive artistic movements, but perhaps, at least for a little while, we should enjoy a period of tinkering; of reveling in the millions of artists who don’t conform to any rules or movements.
They are creating for creation’s sake, and isn’t that the truest art form of all?
