Which statement best compares the use of imagery and color in the poem and artwork to portray the woman?
Her hair is black
with hints of red,
the color of seaweed
spread over rocks.

Morning begins the ritual
wheel of the body,
the application of translucent skins.
She practices pleasure:
the pressure of three fingertips
applying powder.
Fingerprints of pollen
some other hand will trace.

The peach-dyed kimono
patterned with maple leaves
drifting across the silk,
falls from right to left
in a diagonal, revealing
the nape of her neck
and the curve of a shoulder
like the slope of a hill
set deep in snow in a country
of huge white solemn birds.
Her face appears in the mirror,
a reflection in a winter pond,
rising to meet itself.

The artwork’s use of color presents a woman of vigor and action, while the poem does not.
The poem portrays the woman as unrefined, while the painting presents her as cultured.
The artwork suggests a woman in her home, while the poem’s figurative language connects her to nature.
The poem suggests that the woman is aloof, while the painting shows her to be self-absorbed.